Zerbe opens Aeroplanes with a clear disclaimer: this is not a history of aviation or a record of aviators' exploits, but a book of instructions. He immediately establishes a technical, problem-solving voice, stating that the work will point out theories, practical applications, and directions for improvement. The preface sets a methodical tone, promising to treat kites, gliders, and model aeroplanes alongside full-scale machines, and to include a chapter on the aeroplane's role in the Great War. The author's background as a mechanical engineer (M.E.) is evident in his systematic approach to explaining flight.

Theories and Facts: A Grounding in First Principles

The first chapter, 'Theories and Facts about Flying,' wastes no time in challenging popular notions. Zerbe asserts that shape or form is not essential to flight—a stone can be a flying machine if power is applied. He breaks down flight into elemental forces: gravity, momentum, resistance, and lift. His language is precise and often contrarian, as when he declares that 'area not the Essential Thing' for supporting surfaces. He critiques existing tables of lift and drift, calling them wrong, and introduces Langley's Law. The chapter also examines bird flight, but only to extract mechanical principles—the downward beat, the concaved wing, the wedging motion—rather than to romanticize nature. Zerbe insists there is 'No Mystery in the Wave Motion,' demystifying avian flight with an engineer's eye.

Propeller Puzzles and the Limits of Power

In the excerpt on propellers, Zerbe dives into the unresolved problems of blade width, pitch, and speed. He notes that 'the relation of diameter, pitch and speed, are three problems far from being solved,' and speculates that the current propeller form may not be the ultimate shape. His writing becomes almost speculative when he imagines doubling propeller pull: 'what a wonderful revolution would take place.' He contrasts mechanical inefficiency with bird flight, observing that many birds fly with so little power that the same energy 'would scarcely drive' a machine along the ground. The section on power calculation uses a concrete example—a 900-pound aeroplane with 300 square feet of surface—to illustrate how speed and angle of incidence interact. Zerbe emphasizes that an airship behaves differently from an automobile: increasing speed does not simply require more power, because propeller efficiency changes with speed.

Disposition of Planes and the Art of Control

Zerbe turns to the arrangement of planes relative to weight, using the same 900-pound example to show how different speeds can be achieved with the same power. He explains that at low speed, the effective pull of the propeller may be weak due to a high angle of incidence, but as speed increases, the angle decreases, resistance lessens, and pull improves—until a vacuum behind the blades limits further gain. This 'mutual governing motion' determines ultimate speed. He also addresses launching: for takeoff, the propeller must be designed for maximum pull at slow speed, requiring a wider blade and greater pitch. Zerbe's prose is dense with interdependent factors, reflecting his view that 'the aviator must always consider some companion factor.' The chapter on control introduces vertical planes, hinting at the directional challenges that pilots face.

Throughout Aeroplanes, Zerbe maintains a skeptical, investigative stance, questioning received wisdom and pushing for better engineering. Readers should approach this text as a snapshot of early aeronautical thought—a time when propeller design was still guesswork and the relationship between power, speed, and lift was hotly debated. Zerbe's mechanical drawings (not included here) would have been essential to his arguments. For those interested in the technical foundations of flight, this work offers a clear, if dated, window into the problems that preoccupied engineers before World War I.