Inventors — Story, Setting & Ideas

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Hubert, Philip Gengembre, 1852-1925 Project Gutenberg 2012
Inventors Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 68,579
Reading time: 299 min
Text sections: 9
Philip G. Hubert's 1893 biographical sketches of American inventors, including Whitney, Howe, Morse, and Goodyear, emphasize their personal struggles and the societal neglect they faced, while arguing for patent law reform.
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Hubert opens his preface with a striking anecdote: when asked what he wanted his sons to become, Charles Goodyear reportedly replied, "Make them anything but inventors; mankind has nothing but cuffs and kicks for those who try to do it a service." This sets the tone for a collection that foregrounds the personal hardships of inventors rather than the technical details of their creations. The book is part of the "Men of Achievement" series, placing inventors alongside travellers, statesmen, and businessmen as national heroes—yet Hubert insists that these heroes were often martyred by an ungrateful public and a flawed patent system.

The Inventor as Martyr

Hubert’s preface frames invention as a painful history. He quotes Professor Huxley on the centrality of industrial progress, but immediately pivots to the inventors’ personal costs: Whitney, Howe, Morse, and Goodyear "contributed thousands of millions of dollars to the nation's wealth and received comparatively nothing in return." The language is moral and indignant. Hubert does not merely chronicle successes; he dwells on disappointments, trials, and the hostility inventors faced. The excerpt on Morse, for instance, notes that he "had the misfortune to incur the hostility of men who would deprive him of the merit and the reward of his labors." This pattern—achievement followed by persecution—recurs throughout the book, suggesting a deliberate thematic structure rather than a neutral biographical record.

Patent Law as a Central Argument

Hubert uses the preface to advocate for patent law reform. He argues that "the burden and cost of proving that an invention deserves no protection ought to fall upon whoever infringes a patent granted by the Government." This is a specific policy position, not a general lament. The excerpts do not show whether later chapters return to this argument, but the preface positions the entire book as evidence for the need for change. The catalog subject "Inventors" is thus too broad: Hubert’s work is not a neutral encyclopedia but a polemical history that uses biography to support a legal and economic thesis. Readers should expect a narrative shaped by advocacy, not just a collection of life stories.

The Goodyear Chapter: A Case Study in Detail

The Goodyear excerpt reveals Hubert’s method. He begins not with the inventor but with the history of india-rubber, tracing its discovery by French astronomers in Peru in 1735, its early uses as a curiosity and eraser, and its commercial introduction around 1800. Only after several paragraphs does he introduce Goodyear himself. This contextual approach gives the reader a sense of the material’s prior limitations—stiff in cold, sticky in heat—before showing how Goodyear transformed it. The narrative is built on concrete details: shoes covered with gilt-foil, a machine invented by E.M. Chaffee for spreading rubber compound, the cost of shoes at three to five dollars. Hubert’s prose is journalistic and vivid, but he does not explain the chemistry of vulcanization; he keeps the focus on the human and commercial struggle.

Hubert’s Inventors is best read as a series of moral tales rather than a technical history. The excerpts suggest that each chapter follows a similar arc: a promising discovery, public indifference or hostility, and a plea for justice. Readers interested in the inventions themselves may find the book frustratingly light on mechanics; those interested in the social history of innovation and the rhetoric of the late nineteenth-century patent reform movement will find it rich. The book’s structure—preface, then chapters on individual inventors—mirrors the series format, but Hubert’s voice is consistently argumentative.

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